Tag Archives: Delilah S. Dawson

PHOTO: Delilah S. Dawson, two tiny pumpkins and loads of candy.

(drumroll) Wordy South Social Hour, ep. 1

Technically, it’s still December 19, as I post this.

That’d been the plan: Post the first episode on Thursday, December 19.

But I quickly learned that I don’t know much at all about sound. So, my self-education (thank you, Internet) slowed my progress.

As did things like getting a broken tooth pulled.

Regardless, here’s our first installment. I’m proud of it and no matter how much better these episodes get–and they will get better–I’m always going to love this one.

Here, we kick-off the Wordy South Social Hour podcast the same way we kicked-off the 2013 Crossroads Writers Conference: With a talk by Delilah S. Dawson. (And her shout-out to the awesome Susannah Breslin.)

If you get nothing else out of it–besides how weird she is–remember these four things, which she says are key to being a published writer:

1) Work really hard for a long time.

2) Develop thick skin.

3) Never stop learning.

4) Write every day, even when it drives you crazy.

In a couple weeks or so, we’ll release the episode featuring an interview with Delilah.

For now, enjoy the podcast and let us know what you think. We’ll be posting more from past conferences (I just found a stash from 2011) and including interviews with our favorite folks.

Remember, you can find Delilah online at www.DelilahSDawson.com and follow her on Twitter at @delilahsdawson

Yay!

 

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3 exciting reasons not to feel lonely in 2014

I’ll be honest. I miss you all.

Just a couple months ago, we had our fifth–and I think, best–Crossroads Writers Conference and it was chock full of awesome, but now I’m lonely again. It happens every year. I just never get used to it.

This time, I decided to do something about it. That’s why I’m happy to tell you about three things we’re doing between now and the next conference that gives me a great excuse to talk/text/email/pester you.  (Yes, you!)

#1) the Wordy South podcast

Do you like things that are free? I do too! That’s the deal with podcasts. Download ‘em for free then go workout, take a walk, stream it in your car on long rides. You may think they’re soooo 2005 but I love ‘em.

That’s why we’re launching our own on Thursday, December 19, 2013. Every week, there’ll be a new installment featuring some of our favorite guests from past conferences, members of the Crossroads family and writers new to the whole Wordy South thing.

You’ll find each episode online, via iTunes, Stitcher, Soundcloud and whatever else we can get set up.

Our first guests include Bernice McFadden, Adam Mansbach, Carrie Howland, Delilah S. Dawson and Cat Scully. We’ve got a couple of surprise guests and dozens of cool folks from the five previous conferences so this is going to be fun.

 

#2) Webinars, tweet-ups and Hangouts, oh my!

Early in 2014, we’re re-launching this website.

The idea is to keep regular blogs with tips, advice, insight, prompts and whatever else we can think of to help keep you motivated.

But we’re also working on ways to keep us connected to each other in the year that passes between one conference and the next. That’s why we’ll start having regular meet-ups on Twitter (er, tweet-ups) and Google Hangouts.

And we’re working on plans to introduce webinars so you can workshop with your favorite Crossroads writers.

 

#3) the 1st ever Crossroads Writers Retreat

What the what?

Oh yeah. Think: a cross between the conference and that ray gun from “Honey, I Shrunk the Kids.” A mini-Crossroads that may or may not be in Macon.

Honey...

And there may or may not be more than one. Perhaps that’s something we can talk about in our tweet-ups and Hangouts, eh?

See, the big idea is that we want Crossroads to be directed and designed by you even more than it already is. Surveys aren’t enough anymore. We want you active and engaged in making sure we can help you write more and write better.

(That goes double for the next conference.)

So stay tuned. Make sure you’re on the email list, that you’ve added us on Facebook and are following us on Twitter. Share your ideas below or shoot me an email at chris (at) crossroadswriters (dot) com

Later!

Chris H.

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This is why you registered for Crossroads

You come for the classes and the comraderie. If you’re a returning Crossroader, you already expect to have a good time, learn a bunch and leave inspired to write more. Well, here’s a run-down with (almost all) our workshops coming up this weekend.

We dare you not to be excited!

 

 

List of 2013 Crossroads Workshops

 

delilah_slider25 Steps to Being A Traditionally Published Author, Even Lazier Edition

Delilah Dawson

Instead of reading my 7,000-word guide to getting a traditional publishing deal, come listen to me talk about it–and answer the questions you’re afraid to ask. From finishing your first draft to getting an agent to what happens after your book is on the shelf, it’s possible to sell a book without having an MFA, a friend in publishing, or a reality TV show. Hint: it involves a lot of hard work.

 

IMG_1454Anatomy of a Book

Emilie P. Bush

Whether you plan to self publish or enter a deal with a commercial publisher, knowing your gutter from your half title page is important. Topics include publishing terms, an up-close and personal look at what a book interior SHOULD look like and the basic “rules” of layout.

 

Digital Storytelling

Tim Regan-Porter

Should you write differently for digital media? If so, how? What tools are best for telling a compelling story? This panel will address a variety of issues in writing for the web, tablets, and mobile.

 

Fiction Writing Tips

Cate Noble

Deconstructing story: the elements of compelling fiction, with tips for nurturing your writer’s soul.

 

Freelancing is Out; Entrepreurism is In

Kristin Luna

At one point in time (think: way back pre-2010), a writer could simply survive off of freelance assignments. But in 2013, the market has drastically changed and freelancers are forced to evolve with the times. Now, publications expect writers to be a one-stop shop: from the crafting of a story to the photography and right down to publicity and social media promotion. In order to rise to the top of a diluted market, there’s one thing you have to be: an entrepreneur.

 

CarrieHowlandGetting Past The Gatekeeper: How to get your work noticed by an agent

Carrie Howland

Getting an agent is a tricky business, and can seem overwhelming. How do you write the perfect pitch? How do you find the right agent in the first place? How do you stay out of the dreaded slush pile?! Agent Carrie Howland of Donadio & Olson, Inc. will answer these questions and more to help you on your way to finding, and building a lasting relationship with, an agent.

 

How to Build Your Story

Margaret South

Learn the secret of telling a great story. Master your use of turning points to heighten meaning. Give yourself the opportunity to get the story right the first time.

 

If Writing Is Easy, You Ain’t Doing It Right

Joe Kovac Jr.

Tons of pointers, tips, advice and other random nonsense you may or may not need to survive the writing process. (Lesson One: It is anything but a process.) But if you sign up for this session, we’ll discuss the oft-maddening act of turning out page-turning stories, and how to know if you’re pushing yourself enough to do it.

 

Shawn DurhamI Wrote an Awesome Book … and You Can Too

J. Shawn Durham

So you’ve finally written that awesome, super duper, kickass best selling tome, eh? But now that you’ve penned that awesomeness, how are you gonna let the world know about it? Welcome to 21st century authorship, where it’s not just enough to be Next Faulkner, Ellison or Morrisson. You also have to get your I-net game up. You ready?

 

Making History Live (in Fiction)

Anthony Grooms

You’ve researched the historical facts, but how do you blend them into lively fictional scenes? The speaker will discuss strategies for scene writing for historical fiction.

 

Making The Most Out of Murder and Mayhem

Barry Reese

The heyday of the bloody pulps might have been the Thirties and Forties but the movement has gained new legs in recent years with the rise of New Pulp. What is it and why might it be the salvation for small press writers? Award-winning New Pulp author Barry Reese will take you through the ins and outs of the New Pulp world, including where and how you can become a part of it.

 

Never Say No: Building A Portfolio In The Gig Economy

John Rhett Thomas

With expertise in website development, social media, publishing, and project management in the comics industry – both as a writer and an editor – John Rhett Thomas will field questions on a variety of discussion points, including how to get and keep a freelance writing job, operating within the “gig” economy, and working for – and as – an editor. He will also highlight the importance of “never saying no” (with a few caveats) when you start your freelance writing career. And, oh yeah, comic books.

 

Novel Writing 101

Sarah Domet

Have a great idea for a novel, but you can’t seem to get started? Or, have you found yourself halfway through your novel, but stuck and stumped? In this session we’ll explore novel writing basics, from character development to story arc. We’ll take a look at what drives a novel, and we’ll examine techniques and exercises to keep you focused, creative, and working toward the completion of your first draft.

 

Kat+ZhangPlanning the YA Trilogy

Kat Zhang

The three-book structure is getting endemic. But looking at all the cases of “second-book syndrome” and complaints about overstretched plots, do all stories fit neatly in 3 books? And how does one go about selling a trilogy anyway?

 

Poems from Oblique Lexicon

Judson Mitcham

My ongoing project is a collection of poems called Oblique Lexicon. Emily Dickinson said, “Tell all the truth but tell it slant,” and that is the guiding principle of these poems. My session will involve a reading from the collection.

 

David Iserson 210Putting Words in Other People’s Mouths

David Iserson

I wrote a funny young adult novel and my day job is writing for film and television. I’ll discuss how to get started in those various kinds of writing, balancing different projects at once, and if I can get it on the plane, I’ll try to bring candy.

 

Story Telling in a Digital Age

Erick Erickson

The attention span of the average person has shortened considerably in the digital age. Instant on, instant off, and instant change affect the experience of connecting through words. This session will focus on capturing and keeping attention in a digital age.

 

The Author/Editor Collaboration

Marc Jolley

Mercer University Press Editor Marc Jolley will discuss the role of an editor and the ways authors and editors collaborate to make a better book

 

The Not-so Gentler Sex: How to Write Women. And Sex.

Delilah Dawson

Whether you’re trying to help your female lead leap off the page or make sure your hero’s love interest isn’t just a cardboard cut-out, there’s an art to writing women. Which leads us right into romance, sizzling chemistry, and the bedroom. Things might get bawdy, but they’ll stay honest, and this once prudish Southern girl is more than happy to answer all your questions about the inside and outside workings of women in fiction.

 

The Seven Questions That Will Revolutionize Your Writing

Lauretta Hannon

Go straight to the heart of the matter as we explore the most critical lessons and solutions for your project. Expect to be energized and inspired by this lively, thought-provoking session.

 

Submit To Your Editrix: The Pleasure of Dominating Text

Annabelle Carr

The relationship between a writer and her editor can be intense to say the least—yet it can yield transcendent results. As both a consumer nonfiction editor and a literary fiction writer, I’ve put considerable thought into that delicate balance between dominance and submission. In this session, we’ll explore the twisted psyche of the magazine editrix and learn from some of literature’s greatest copyslingers. Think of it as text therapy for your freelance career.

 

BerniceMcFaddenTrusting the Voice: The Art of Listening, Writing and Living

Bernice L. McFadden

It’s easier to trust the creative process when you also trust that a greater force is guiding that process. Bernice L. McFadden discusses her personal journey from aspiring writer to published author by moving beyond fear by believing that a greater force was guiding her creative process.

 

Writer VS. Studio

Adam Torchia

The process of screenplay development in the contemporary movie studio. This will include both the studio and writer’s perspective, the art of navigating the fine line between art and business.

 

Andrew-Hartley-02_-300x214Writing in Multiple Genres

A.J. Hartley

Most successful writers work in only genre, and trying to do otherwise can be dangerous for both your craft and your career. But only writing one kind of book has perils of its own–not least of which is boredom for the author and his or her readers. This session will explore the issues and possible solutions for writers trying to navigate writing and publishing in more than one category.

 

Writing Poems That Get Published

Kelly Whiddon

Want to write poems for a bigger audience than your mom and your cat? This session will tell you how to construct poems that sing off the page and have editors take notice.

 

IMG_1435Writing Stories That Will Sell

Nathan Edmondson

Want to write like it’s your job? Or have a job writing? All you need to do is throw some sex and gunplay into the plot, maybe blow a car or two up, and you’re halfway there. Or is there more to it?

 

 

 

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Creepy Carnivals & Steampunk

REVIEW: “The Three Lives of Lydia” by Delilah S. Dawson

a Blud Short Story, included in CARNIEPUNK

Reviewed by Meaghan Walsh Gerard

 

carniepunkFull disclosure: I don’t read romance books. They’re just not my thing. I do however love creepy carnivals and some steampunk literature so I was thrilled to see Crossroads veteran Delilah S. Dawson had a short story included in a book called “Carniepunk.”

Let’s just take a minute and acknowledge how cool that title is. Alright, proceed.

The entries vary but most are in some way related to fantasy worlds. Titles include “The Demon Barker of Wheat Street,” “The Werewife,” “Freak House” and “Hell’s Menagerie.” One can already hear the rusted calliope cranking out a tune in the distance…

In “The Three Lives of Lydia,” Dawson tells a tale connected to her already-established Blud series. Lydia wakes up in a field, unable to remember what happened. As she slowly comes to, she recognizes the unmistakable features of a traveling circus. Right away the reader is hit with sharp descriptions.

Running a finger over the crooked heart tattooed on her left wrist, she inhaled the scent of grass and cold iron and waited for something to happen.

“Am I dead?”

Her voice was overloud in the moon-bitten night, and she suddenly felt like an extra in someone else’s movie. Pg. 24-5

Though Lydia is confused, and perhaps a bit shaken, she is not useless. She examines her surroundings and knows that to blend in she will need new clothes. One of my favorite passages is the description of the costume car.

A series of Victorian-looking sconces lit with an orange glow. She was in luck: the room was a jumble of mannequins, hats, and sequins. Costumes sprouted from dress forms, half finished in harlequin diamonds or lurid stripes. Feathers exploded from upturned top hats, and blots of cloth swooped across the ceiling like gypsy tents. Pg. 26

Lydia meets Charlie, her guide through this strange world called Sang – a world where her myriad tattoos are revered. She is to be put on display for the other inhabitants to gawk at. But other carnies are jealous of Charlie and newfound girlfriend. Lydia is in danger, in both our world and Sang.

As with any good story, there are universal themes to be found, regardless of genre or setting. Lydia must use her wits to navigate Sang, while dealing her feelings for Charlie and her fears of the unknown. She is the fish-out-of-water archetype, who isn’t so sure she wants to get back in the pond.

So, yes, this story was a bit out of my normal realm of reading, but it’s a good reminder that these short story collections and anthologies are a great way to get a taste for a new genre and to find new authors.

 

Paperback: 448 pages | Publisher: Gallery Books; Original edition (July 23, 2013)

Language: English | ISBN-10: 1476714150 | ISBN-13: 978-1476714158

Product Dimensions: 4.1 x 6.7 inches

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Delilah S Dawson: The advice would I give myself if I could go back in time…

We tasked the awesome and cool Delilah S. Dawson with applying her ample imagination to this question: If you could go back in time to the very start of your writing career, what advice would you give yourself?

Considering how far this Pocket/Simon & Schuster published author of “Wicked as They Come” and associated editor for CoolMomPicks.com has come, we thought it was a perfect question to have her answer.

When you come to the conference, you’ll be treated to more of Delilah’s insight (she may or may not wave a cupcake). Specifically, she’s going to speak on being “shipwrecked” as a writer and what to do with yourself while you’re waiting on your writing ship to come.

Until then… enjoy!